In Yiwu, Zhejiang Province, the clatter of crafting tools echoes through Mei Lizhong’s workshop as he and his son meticulously shape Kui Mao – the dazzling headdresses central to Wu Opera’s 500-year-old legacy. With a major performance looming this month, the duo battles the clock to complete these intricate pieces, each requiring up to 15 days of hand-embroidery and metalwork. 🔨✨
But beyond the glittering beads lies a deeper drama: At 68, Mei worries about who will preserve this craft. "Young people see it as old-fashioned," he admits, while his son, Mei Jun, 32, experiments with modern designs to attract new apprentices. 🧑🎨
Wu Opera troupes, revitalized by China’s cultural preservation efforts, now perform globally – yet demand for authentic Kui Mao outstrips supply. This year’s premiere could decide whether traditional craftsmanship survives its make-or-break moment. 🎟️
"Each headdress tells our history," says Mei Jun, holding a phoenix-design piece symbolizing resilience. As neon lights replace lanterns in Yiwu’s streets, one question lingers: Can artistry outrace time? ⏳
