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From the misty mountains of Anhui to the heart of Germany, Hui-style architecture is making waves globally—and Cheng Jiyue is at the forefront of this cultural movement. Known for blending intricate carvings, white-walled buildings, and serene courtyards, Hui-style design has enchanted centuries of admirers. Now, Cheng is bringing its magic to new audiences.
From Anhui to Berlin: Building Bridges with Gardens
Cheng’s crowning achievement, the Chunhua Garden in Germany, is the first Hui-style garden outside Asia. Imagine cobblestone pathways winding past lotus ponds, wooden lattices casting geometric shadows, and rooftops curved like poetry—this is Hui-style in action. Cheng describes it as \"a dialogue between nature and craftsmanship,\" a philosophy rooted in ancient Chinese tradition.
What Makes Hui-Style Unique?
Hui architecture, born in southern China’s Huizhou region, is famous for its \"three carvings\": stone, wood, and brick. Cheng explains how these elements reflect harmony with the environment, using locally sourced materials and symbols of prosperity. \"Every pillar and tile tells a story,\" he says, highlighting motifs like peonies (wealth) and cranes (longevity).
Why It Matters Now
Young architects and culture enthusiasts are rediscovering Hui-style’s sustainable principles and minimalist beauty. Cheng’s work also taps into a growing appetite for cross-cultural connections—think K-drama fans obsessing over hanok houses, but for Chinese design. \"It’s not just about preserving history,\" he adds. \"It’s about creating spaces that inspire the next generation.\"
Want to explore more? Cheng hints at future projects in Southeast Asia and a digital archive of Hui-style patterns. Stay tuned!
Known for blending intricate carvings, white-walled buildings, and serene courtyards, Hui-style design has enchanted centuries of admirers. Now, Cheng is bringing its magic to new audiences.
Cheng describes it as \"a dialogue between nature and craftsmanship,\" a philosophy rooted in ancient Chinese tradition.
\"Every pillar and tile tells a story,\" he says, highlighting motifs like peonies (wealth) and cranes (longevity).
\"It’s not just about preserving history,\" he adds. \"It’s about creating spaces that inspire the next generation.\"
When Versailles Meets Suzhou: A Tale of Two Gardens 
