Paris 2024 organizers issued a public apology Sunday after a bold reimagining of Leonardo Da Vinci's 'The Last Supper' during the Olympic opening ceremony drew sharp criticism from religious groups. The segment featured drag queens, a transgender model, and a performer styled as Dionysus (Greek god of wine) in a modern twist on the iconic biblical scene.
The Catholic Church and other Christian communities called the parody 'disrespectful,' prompting organizers to clarify their intent. 'We aimed to celebrate diversity and tolerance through art,' said spokesperson Anne Descamps. 'If offense was taken, we sincerely apologize.'
The controversy highlights the tightrope walk between creative expression and cultural sensitivity in global events. While some praised the ceremony's inclusive vision, others questioned whether classic religious imagery was the right canvas for modern social commentary.
As debates trend online, one thing's clear: Paris 2024's opening act has everyone talking—about art, identity, and where lines should be drawn.
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The Catholic Church and other Christian communities called the parody 'disrespectful,' prompting organizers to clarify their intent. 'We aimed to celebrate diversity and tolerance through art,' said spokesperson Anne Descamps. 'If offense was taken, we sincerely apologize.'
The controversy highlights the tightrope walk between creative expression and cultural sensitivity in global events. While some praised the ceremony's inclusive vision, others questioned whether classic religious imagery was the right canvas for modern social commentary.
As debates trend online, one thing's clear: Paris 2024's opening act has everyone talking—about art, identity, and where lines should be drawn. 
